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Has a title
Sums up the story/product in a sentence or two.Includes positive and negative commentSays if the writer thinks it’s a successful product and whyUses some suitable vocabulary – plot, soundtrack, twist, director, advertisement, advent, get ready,
Has Some opinion language
“If you ask me”. “For me”Some linking between the similar things (“in addition”) and some contrast– “on the other hand”, “however”It's all in the same formality
Better than 007 out of 10?
Skyfall
A jolly good Bond film scoring 8/10 with ease for me. Easily my favourite since Goldeneye, maybe The Living Daylights. Many years ago I read a Bond review in a magazine, where the writer said he'd love to see something different from Bond - like have him carry out an investigation in London, for instance, but there's no way it'd ever happen, what with the need forrproduct placement and so on. That author has pretty much got his wish and it worked very well.
It feels like Bond, looks like Bond and sounds like Bond to me. About 1 second into the film there's something that tells you exactly what the tone of the movie is, puts a big smile on your face, and from there on it's almost all great stuff, doing something interesting and different, yet also familiar. Absolutely loved the tiny little touches ("For her eyes only") which are proper Bond film things and showed the director really knows his stuff.
The only time it felt a tiny bit slow was in the Bond-doing-the-tests bit, and, for the character, it's odd they've jumped from callow new boy in Casino Royale to old warrior so quickly. I thought the new MI6 team looked good, and like the idea of them all having earnt their stripes in front of each other in this movie. I'm never going to think Daniel Craig is quite right, as he doesn't seem to be quite as comfortable with the humour as the action and darker character work, but in a film as good as this I can pretty much overlook it.
I'd consider going to see it again if I had a spare couple of hours. What better recommendation can I give?
Bluegrass is like...Ronaldo. It makes you so mad you want to throw things at it or makes you tick. AKUS (not a lot of words allowed on Fb) are top of the line.
You get three sorts of song. Ali going wistful and emotional. Because, as a beautiful, willowly blonde with an angelic voice, she's naturally sad, lonely and desperate for company. Hmmm, not entirely plausible, but we'll let her run with it. The there's the hardcore stuff. Really. Proper rustic vocals, dustbowls, obscure American towns and tales of loss and love. It's like Irish folk with cowboy hats. Finally there's the odd instrumental, with Ali going like the clappers on the violin, Jerry Douglas picking on the steel guitar like his life depended on it, and the rest of them hitting every note spot on.PA follows on from UKAS' last two albums. A bit more New Favourite country than Lonely Runs Both Ways country-pop. You'll love it or hate all three. Me? Love it.

